Animal Eye

Paisley Rekdal's quiet virtuosity with rhyme and cadence, her syntactic fidelity to thought and sensation, her analytical intelligence that keeps homing in and in, her ambitious sentences and larger formal structures that try to embody with absolute accuracy the difference between what we ought to feel and what we really do feel—all these make her unique in her generation: no one sounds like she does, and her concern about the 'post' in postconfessional is as much a sign of her earnest desire to honor every aspect of her art, as it is an anxiety that spurs her restless investigations of family, selfhood, racial identity, and erotic life.
Tom Sleigh
Winner of the 2013 Rilke Poetry Prize

Voted one of the five best poetry collections for 2012 by Publishers Weekly, Animal Eye employs pastoral motifs to engage a discourse on life and love, as Coal Hill Review states “It is as if a scientist is at work in the basement of the museum of natural history, building a diorama of an entire ecosystem via words. She seem snot only interested in using the natural world as a metaphoric lens in her poems but is set on building them item by item into natural worlds themselves.”

96 Pages, 6 x 9 in.

February, 2012

isbn : 9780822961796

about the author

Paisley Rekdal

Paisley Rekdal is associate professor of English at the University of Utah. She is the author of three previous poetry collections: The Invention of the Kaleidoscope, A Crash of Rhinos, and Six Girls Without Pants, as well as a book of essays, The Night My Mother Met Bruce Lee. She is the recipient of the Village Voice Writers on the Verge Award, the University of Georgia Press Contemporary Poetry Series Award, an NEA Fellowship, a Fulbright Fellowship, the Laurence Goldstein Poetry Prize from Michigan Quarterly Review, and the 2011–2012 Amy Lowell Poetry Traveling Scholarship.

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Paisley Rekdal