Night Mowing

Here is a poet with a truly extraordinary verbal imagination. His poems begin in the commonplace and rise-or soar, leap, swell-to the climactic surreal in a few lines. This is aptitude beyond technique, unassailable by the workshopping greenhorns. It is indeed a kind of ecstasy for every and any reader. I recommend Chard deNiord's new book as enthusiastically as I can.
Hayden Carruth

The poems in Night Mowing find their influence in the natural and the erotic; the biblical and the classical; the aesthetic and the spiritual. The landscape exists as both an ecstatic source of inspiration and as an endangered garden, and the narrator of these poems moves through that landscape in admiration and anguish: trying to preserve his joyful innocence while fully aware of the transience of all that he sees. Each poem in its specifics, whether focusing on a lover, a mountain, a dog, or a critic, wrestles with the universal and sacred, revealing the instinct of the poems to move toward purity and deep feeling even in dark times.

88 Pages, 5.5 x 8.5 in.

September, 2005

isbn : 9780822958949

about the author

Chard deNiord

Chard deNiord is the poet laureate of Vermont and author of six books of poetry, most recently Interstate and The Double Truth. He also edited a book of essays and interviews with seven senior American poets (Galway Kinnell, Donald Hall, Maxine Kumin, Jack Gilbert, Ruth Stone, Lucille Clifton, Robert Bly) titled Sad Friends, Drowned Lovers, Stapled Songs: Conversations and Reflections on Twentieth-Century American Poets. deNiord is a professor of English and creative writing at Providence College and a trustee of the Ruth Stone Trust.

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Chard deNiord