Browse | News & Events | Ordering | UPP Blog | For Authors | For Instructors | Prizes | Rights & Permissions | Hebrew Union College Press | About the Press | Support the Press | Contact Us
November 2016
112 pages  

5.75 x 8
Paper $15.95 Add to cart

View Cart
Check Out
Other Ways to order
A Revised Poetry of Western Philosophy
Grandbois, Daniel
A prose poetry/flash fiction collection that interrogates Bertrand Russell’s classic A History of Western Philosophy through scathing wit and acute observation.

Kindle eBook Available

Nook eBook Available
Daniel Grandbois is the author of the prose poetry/flash fiction collection Unlucky Lucky Days, the art novel The Hermaphrodite: An Hallucinated Memoir, and the prose poetry collection Unlucky Lucky Tales. His work has appeared in Fiction, Boulevard, Mississippi Review, Conjunctions, and Electric Lit, among others, and often includes collaborations with visual artists across the Americas.
“Imagine, as Daniel Grandbois has, a conflation of Marxes (Karl and Groucho) and a hipster Plato, and you can begin to understand the enterprise of reimagining the history of Western philosophy as a series of comic summaries, complete with abstracts for the novice and infused with a storyteller’s sense of the need to entertain, while shedding light on the great intellectual enterprises from ancient to modern times. This book is a marvel.”—Christopher Kennedy

Complete Description Reviews
Pitt Poetry Series Table of Contents
Poetry Read a selection from this book

Bertrand Russell finds himself in purgatory, tumbling through literal representations of the worlds of ideas he examined in his classic text, A History of Western Philosophy, gulping much-needed air, for example, from Empedocles’ bucket. Mistaking his erection for a planted flag, he declares the place Platonopolis, attempts to calculate his Pythagorean number, kills God (though he later sees evidence of His resurrection), and, Rousseau-like, turns away from reason and civilization, favoring the noble savage, only to march back into the concrete jungle as one of Nietzsche’s savage nobles. In the end, however, he is all jumbled up and clucking like Einstein’s cuckoo clock, until he perceives philosophy as music, hears its arguments as a symphonic procession of the electrochemical pulses produced within three-pound lumps—lumps self-amalgamated from the vomitus of stars—and revises his History.


© 2017 University of Pittsburgh Press. All rights reserved.