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By Subject - Latin America/Literature
Anti-LiteratureAdam Joseph ShellhorseAnti-Literature articulates a rethinking of what is meant today by “literature.” Examining key Latin American forms of experimental writing from the 1920s to the present, Shellhorse reveals literature’s power as a site for radical reflection and reaction to contemporary political and cultural conditions.
Appropriating TheoryJose Eduardo GonzalezAngel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work. Gonzalez focuses on Rama’s response to and appropriation of European critics like Walter Benjamin, Theodor Adorno, and Georg Lukacs. He argues that Rama realized the inapplicability of many of their theories and descriptions of cultural modernization to Latin America, and reworked them to produce his own discourse that challenged prevailing notions of social and cultural modernization.
Bandit Narratives in Latin AmericaJuan Pablo DaboveDabove shows how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present. By examining cases from Argentina, Brazil, Mexico, Peru, and Venezuela, from Pancho Villa’s autobiography to Hugo Chavez’s appropriation of his “outlaw” grandfather, Dabove reveals how bandits function as a symbol to expose the dilemmas or aspirations of cultural and political practices, including literature as a social practice and as an ethical experience.
Bridges, Borders, and BreaksWilliam OrchardThis volume reassesses the field of Chicana/o literary studies in light of the rise of Latina/o studies, the recovery of a large body of early literature by Mexican Americans, and the “transnational turn” in American studies. The chapters reveal how “Chicano” defines a literary critical sensibility as well as a political one, and show how this view can yield new insights about the status of Mexican Americans, the legacies of colonialism, and the ongoing prospects for social justice.
Chica LitTace HedrickWinner, 2016 ALA-Choice Outstanding Academic Title

Hedrick illuminates how discourses of Americanization, ethnicity, gender, class, and commodification shape the genre of “chica lit,” popular fiction written by Latina authors with Latina characters. Looking at chica lit’s market-driven representations of difference, poverty, and Americanization, Hedrick shows how this writing functions within the larger arena of struggles over popular representation of Latinas and Chicanas.

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Reading Junot DiazChristopher GonzalezReading Junot Diaz is the first study to focus on his complete body of published works. It explores the totality of his work and provides a concise view of the interconnected and multilayered narrative that weaves throughout Diaz’s writings.

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Voces Femeninas de HispanoaméricaGloria Bautista GutiérrezThis book presents in one volume a selection of the most representative, outstanding writing by Latin American women writers. Written entirely in Spanish, it is intended for third and fourth-year students.
Voices, Visions, and a New RealityJ. Ann DuncanThis book introduces to a larger audience the work of a group of Mexican writers whose work reflects the stimulus of the “boom” of the 1960s, especially in the experimental nueva novella. Duncan views the work of six writers in the context of more well known writers of the period (Ruflo, Fuentes, and Del Paso), and concludes with a chapter on other recent innovators in Mexican literature.

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