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February 2017
112 pages  

5.75 x 8.5
9780822964582
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Spirit Boxing
Weaver, Afaa Michael
In Spirit Boxing, Weaver revisits his working class core. The veteran of fifteen years as a factory worker in his native Baltimore, he mines his own experience to build a wellspring of craft in poems that extend from his life to the lives that inhabit the whole landscape of the American working class.
Afaa Michael Weaver is the author of numerous poetry collections, including Timber and Prayer: The Indian Pond Poems; My Father’s Geography; The Plum Flower Dance: Poems 1985 to 2005; The Government of Nature, winner of the Kingsley Tufts Poetry Award ; and City of Eternal Spring, winner of the Phyllis Wheatley Book Award. He is alumnae professor of English at Simmons College in Boston. Weaver is the recipient of an NEA fellowship, a Pew fellowship, four Pushcart Prizes, and a Fulbright scholar appointment, among other honors. In 1998, he became the first Elder of the Cave Canem Foundation. 
Past praise for Afaa Michael Weaver

“Afaa Michael Weaver is one of the most significant poets writing today. With its blend of Chinese spiritualism and American groundedness, his poetry presents the reader (and the listener, for his body of work is meant to be read aloud) with challenging questions about identity, about how physicality and spirit act together or counteract each other to shape who we are in the world.” —Henry Louis Gates for Baltimore Magazine

“Weaver explores and rethinks questions of identity—that great American subject. Over the years, he has listened to a chorus of other voices, the inflections of the past, as they have come together to shape and enlarge his own distinctive, musical voice. He has carved a unique space for himself in contemporary American poetry.”—Edward Hirsch on Timber and Prayer

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In Spirit Boxing, Weaver revisits his working class core. The veteran of fifteen years as a factory worker in his native Baltimore, he mines his own experience to build a wellspring of craft in poems that extend from his life to the lives that inhabit the whole landscape of the American working class. He writes with an intimacy that is unique in American poetry, and echoes previous comparisons of his oeuvre to that of Walt Whitman. The singularity of his voice resonates here through the prism of his realization of self through a lifelong project of the integration of American and Chinese culture. The work is Daoist in influence and structure as it echoes both a harmonic realization of context and the intuitive and transcendent dance of body, mind, and spirit.
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