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February 2017
72 pages  

6 x 9
9780822964513
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Milk Black Carbon
Kane, Joan Naviyuk
Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many indigenous people, and Inuit in particular. In this collection, autobiographical details – motherhood, marriage, extended family and its geographical context in the rapidly changing arctic – negotiate arbitrary landscapes of our perplexing frontiers through fragmentation and interpretation of conventional lyric expectations.
Joan Naviyuk Kane is the author of The Cormorant Hunter’s Wife, Hyperboreal, and The Straits. Her awards include the Whiting Writer’s Award, the Donald Hall Prize in Poetry, the American Book Award, the Alaska Literary Award, and fellowships from the Rasmuson Foundation, the Native Arts and Cultures Foundation, and the School for Advanced Research. Kane is a faculty mentor in the MFA program at the Institute of American Indian Arts in Santa Fe, New Mexico. She is Inupiaq with family from King Island and Mary’s Igloo, and lives in Anchorage, AK.
Milk Black Carbon is at once a brilliant work of lyric art and a decoding of knowledges written ‘in the dark cursive of a wolf/circling on sea ice.’ Kane’s is a vertiginous sensibility, chiseled into language in a precarious time, as the rising seas ‘rephrase us.’ She writes in English and Inupiaq Eskimo, toward a horizon of radical futurity, against nostalgia, with awareness that there is no turning back. This is a twenty-first century poetry, urgent, necessary, and of its time.”—Carolyn Forché

“The black ink of a strong, strong hand. A rare and real word-world, mind-muscled into serious relief, stopped into dream and meaning.”—Olena Kalytiak Davis

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Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many indigenous people, and Inuit in particular. In this collection, autobiographical details—motherhood, marriage, extended family and its geographical context in the rapidly changing arctic—negotiate arbitrary landscapes of our perplexing frontiers through fragmentation and interpretation of conventional lyric expectations.
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