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February 2017
112 pages  

6 x 8
9780822964506
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Scald
Duhamel, Denise
When her “smart” phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald engage feminism in two ways—committing to and battling with—various principles and beliefs.

Watch Denise Duhamel's new video Scald
Denise Duhamel’s most recent book of poetry, Blowout, was a finalist for the National Book Critics Circle Award. Her other titles include Ka-Ching!, Two and Two, Queen for a Day: Selected and New Poems, The Star-Spangled Banner, and Kinky. Duhamel is a recipient of fellowships from the Guggenhiem Foundation and the National Endowment for the Arts. She is professor of English at Florida International University in Miami.
“As much a manifesto as it is a book of poems, Scald is Denise Duhamel’s great feminist statement—by way of pantoums and villanelles, of course. But more than a feminist, I would say that Duhamel is a humanitarian. Her words dignify the disenfranchised. Glory to Denise Duhamel for her formal ingenuity and her gleeful political imagination.”—David Trinidad

“What a great ride! What wonders! Humor, witchcraft, history, culture, the ‘Denise’ in every poem shining forth with that special Denise-ness! (You know what I mean.) The wild pantoums and villanelles: perfect vehicles for her subject. Which is WOMEN, which is POWERFUL WOMEN. I’m so grateful for Scald. I love that Denise Duhamel is in the world and that she has it by the tail.”—Maureen Seaton

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Pitt Poetry Series
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When her “smart” phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald “engage” feminism in two ways—committing to and battling with—various principles and beliefs. Duhamel wrestles with foremothers and visionaries Shulamith Firestone, Andrea Dworkin, and Mary Daly as well as with pop culture figures such as Helen Reddy, Cyndi Lauper, and Bikini Kill. In dialogue with artists and writers such as Catherine Opie, Susan Faludi, and Eve Ensler, Duhamel tries to understand our cultural moment. While Duhamel’s Scald can burn, she has more importantly taken on the role of the ancient Scandinavian “Skald,” one who pays tribute to heroic deeds. In Duhamel’s case, her heroes are also heroines.
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