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April 2017
424 pages  

6 x 9
9780822964353
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Bandit Narratives in Latin America
From Villa to Chavez
Dabove, Juan Pablo
Dabove shows how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present. By examining cases from Argentina, Brazil, Mexico, Peru, and Venezuela, from Pancho Villa’s autobiography to Hugo Chavez’s appropriation of his “outlaw” grandfather, Dabove reveals how bandits function as a symbol to expose the dilemmas or aspirations of cultural and political practices, including literature as a social practice and as an ethical experience.
Juan Pablo Dabove is associate professor of Spanish and Portuguese at the University of Colorado at Boulder. He is the author of Nightmares of the Lettered City: Banditry and Literature in Latin America, 1816-1929.
“A fascinating book that breaks new ground, even as it offers a revolutionary reading of the role of literature in twentieth-century Latin America. Dabove goes well beyond a study of the figure of the bandit as a mere artificial construct of Otherness by the discourses of the nation-state, and engages in a discussion of the nature of language, literature, and the role of the intellectual in Latin America.”—Benigno Trigo, Vanderbilt University

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Illuminations: Cultural Formations of the Americas
Latin America/Literature
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Bandits seem ubiquitous in Latin American culture. Even contemporary actors of violence are framed by narratives that harken back to old images of the rural bandit, either to legitimize or delegitimize violence, or to intervene in larger conflicts within or between nation-states.

However, the bandit seems to escape a straightforward definition, since the same label can apply to the leader of thousands of soldiers (as in the case of Villa) or to the humble highwayman eking out a meager living by waylaying travelers at machete point. Dabove presents the reader not with a definition of the bandit, but with a series of case studies showing how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present. By examining cases from Argentina, Brazil, Mexico, Peru, and Venezuela, from Pancho Villa’s autobiography to Hugo Chavez’s appropriation of his “outlaw” grandfather, Dabove reveals how bandits function as a symbol to expose the dilemmas or aspirations of cultural and political practices, including literature as a social practice and as an ethical experience.

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