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January 2014
88 pages  

6 x 9
9780822963196
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The Dottery
Kaschock, Kirsten
Winner of the 2013 Donald Hall Prize in Poetry

The Dottery is a book of poetry arisen from a thought experiment—what if there was a school before birth where gender was taught?
Kirsten Kaschock is the author of two previous books of poetry: Unfathoms and A Beautiful Name for a Girl. She is also the author of a novel, Sleight, and the chapbook WindowBoxing. Kaschock teaches at Drexel University and lives in Philadelphia, Pennsylvania.
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Winner of the 2013 Donald Hall Prize in Poetry

The Dottery is a tale of dotters before they are born. In this series of prose poems you meet their would-be-mutters, the buoys they will know, their inner warden, and the mutterers who cannot have them. The Dottery itself is a sort-of pre-purgatory, a finishing school for the fetal feminine. The five sections correspond to the conceptual set-ups interrogated within. In “wound,” The Dottery is described, as are its inhabitants and their difficulties. In “Dual,” a gender binary is introduced and (hopefully) eviscerated. “Triage” establishes the issues that plague both the dotters and those who would bring them out into the world—specifically into the idea of America (I’m Erica and I can prefer a hummer to the rose parade”). In “Fear,” failed dotters (out in the world) are described in obit fashion. Finally, in “Thief” one mutterer recounts how she stole her dotter (“a snatched piece”) to become a mutter and chronicles both her desires and regrets.

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“Inventive and exhilarating, Kirsten Kaschock’s The Dottery tells the story of mutters and dotters in fresh, bracingly original language. Dolls, surrogates, goldie (who ‘was lock, lock, locked’) and mannequins play out this keen allegory of gender in ways that are both astonishing and terrifying. Kaschock is an alchemist—you will be changed.”—D.A. Powell

“The Dottery is a living book of confrontational, formally inventive risks. Reading it is to become a believer in the relational, permeable body and not get hung up on whether or not that body is human before we decide to love it, to touch it, to accept that it may create us, then kill us, then feel the wound in its own side.”—Jericho Brown

“Irreverent, irrepressible, and intelligent, The Dottery subjects the identity we call ‘daughter’ to a deeply feminist skepticism. Yet Kaschock’s slightly loony allegories and mocking manifestoes belie a deep tenderness for the wounds dealt to women by sex and gender. Dear dotters, mutters, buoys, and men, you won’t regret entering The Dottery, though you won’t leave unscathed.”—Brian Teare


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