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June 2013
344 pages  
310 color, 96 b&w illustrations
7 x 10
9780822944263
Hardcover $34.95 Add to cart

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Pastoral and Monumental
Dams, Postcards, and the American Landscape
Jackson, Donald
Pastoral and Monumental chronicles America’s longtime fascination with dams as represented on picture postcards from the late nineteenth to the mid-twentieth century. Through over four hundred images, Donald C. Jackson documents the remarkable transformation of dams and their significance to the environment and culture of America.
Donald C. Jackson is professor of history at Lafayette College. He is the author of Great American Bridges and Dams, and Building the Ultimate Dam: John S. Eastwood and the Control of Water in the West, and coauthor of Big Dams of the New Deal Era: A Confluence of Engineering and Politics.
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In Pastoral and Monumental, Donald C. Jackson chronicles America’s longtime fascination with dams as represented on picture postcards from the late nineteenth to the mid-twentieth century. Through over four hundred images, Jackson documents the remarkable transformation of dams and their significance to the environment and culture of America.
Initially, dams were portrayed in pastoral settings on postcards that might jokingly proclaim them as “a dam pretty place.” But scenes of flood damage, dam collapses, and other disasters also captured people’s attention. Later, images of New Deal projects, such as the Hoover Dam, Grand Coulee Dam, and Norris Dam, symbolized America’s rise from the Great Depression through monumental public works and technological innovation. Jackson relates the practical applications of dams, describing their use in irrigation, navigation, flood control, hydroelectric power, milling, mining, and manufacturing. He chronicles changing construction techniques, from small timber mill dams to those more massive and more critical to a society dependent on instant access to electricity and potable water.
Concurrent to the evolution of dam technology, Jackson recounts the rise of a postcard culture that was fueled by advances in printing, photography, lowered postal rates, and America’s fascination with visual imagery. In 1910, almost one billion postcards were mailed through the U.S. Postal Service, and for a period of over fifty years, postcards featuring dams were “all the rage.” Whether displaying the charms of an old mill, the aftermath of a devastating flood, or the construction of a colossal gravity dam, these postcards were a testament to how people perceived dams as structures of both beauty and technological power.

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“Combining expertise in civil engineering with extensive knowledge of popular images, Donald C. Jackson shows that Americans celebrated dams as beautifying improvements that enabled logging, manufacturing, navigation, irrigation, hydropower, flood control, and recreation. He re-creates the enthusiasm that, despite occasional disasters, culminated during the New Deal, followed by increasing environmental criticism. An engrossing book.”—David E. Nye, University of Southern Denmark

“Donald C. Jackson shows just how thoroughly dams captured the American imagination in this stimulating book. The last word on postcards.”—Ted Steinberg, Case Western Reserve University

“Through the medium of picture postcards, Donald C. Jackson relates the history of dams as a feature of the American landscape, demonstrating the value of such ‘ephemera’ as a resource for historical inquiry and a means of enhancing our understanding of the built environment. The illustrations are compelling and often surprising.”—Carol Poh, Historical Consultant and past President, Society for Industrial Archeology

“A compelling text . . . wonderfully illustrated.”—Bulletin of Science, Technology & Society

“The author’s research and knowledge of this American experience as depicted through postcards should be enjoyable for both the collector and those interested in the shaping of our country’s history.”—Michigan Postcard Club News

“Unlike most historians who use postcard images, Jackson goes beyond utilizing the reproductions as mere illustration, by discussing how they expressed popular attitudes and ideologies.”—The Journal of American History


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