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June 2004
400 pages  

6 1/8 x 9 1/4
9780822961956
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The Corpus Delicti
A Manual of Argentine Fictions
Ludmer, Josefina
An intellectual tour de force from one of today’s leading critics of Latin American literature and culture, The Corpus Delicti [The Body of Crime] is a manual of crime, a compendium of crime tales, and an extended meditation on the role of crime in life.

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Josefina Ludmer, professor of Latin American literature and culture at Yale University, is the editor of Las culturas de fin de siglo en América Latina and the author of several books, including Cien años de soledad: Una interpretación and The Gaucho Genre: A Treatise on the Motherland.
"An irresistible read. Ludmer brings out the transgressive delight in the Delicti."—Doris Sommer, Harvard University

"A brilliant and original book that traces the power of ‘crime’ to fuse and divide the entire social field. Written with a rare wit and humor, The Corpus Delicti draws impartially on every kind of Argentine crime story. . . . One of the few books I have read in which the footnotes are as entertaining as the text."—Jean Franco, Columbia University

“The English translation, carefully crafted by Glen S. Close, preserves the wit, irony, and intellectual intensity of the Spanish edition, while making Ludmer’s insights accessible to an even broader audience. . . . Artfully combines literary criticism and cultural theory to illuminate representations of ‘crime’ in a specific period of Argentine history.”`--Midwest MLA

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Illuminations: Cultural Formations of the Americas Table of Contents
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An intellectual tour de force from one of today’s leading critics of Latin American literature and culture, The Corpus Delicti (The Body of Crime) is a manual of crime, a compendium of crime tales, and an extended meditation on the central role of crime in literature, in life, and in the life of the nation. Drawing her examples from canonical texts, popular novels, newspaper serials, and more, Josefina Ludmer captures the wide range of Argentine crime stories and detective fiction from the late nineteenth and early twentieth centuries. She offers more than a mere genre study, examining the relationship of crime and punishment to the formation of law, the body, and the modern state, exposing the ways in which literature—both high art and mass culture—can help construct, not just represent, social reality. Covering a dazzling array of primary sources, social history, and cultural theory, this provocative work is also a structural masterpiece, challenging readers as it charts new roles for text and notes. In this redefined dialogue, the notes variously offer alternate views, additional insights, and, often, parallel commentaries. Glen Close’s stylish translation captures the energy of Ludmer’s prose—simultaneously subtle and daring—for English-language readers.
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