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May 2004
240 pages  

6 x 9
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Mestizaje Upside-Down
Aesthetic Politics in Modern Bolivia
Sanjinés C., Javier
Mestizaje refers to the process of cultural, ethnic, and racial mixture that is part of cultural identity in Latin America. Through a careful study of fiction, political essays, and visual art, this book defines the meaning of mestizaje in the context of the emergence of a modern national and artistic identity in late-19th- and early 20th-century Bolivia.

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Javier Sanjinés C., associate professor of Latin American literature and cultural studies at the University of Michigan, is the author of numerous Spanish-language books on Bolivian culture, and is visiting professor of cultural studies at Universidad Andina Simón Bolívar, in Quito, Ecuador.
"Analyzes the presentation of mestizaje in the sociohistorical, political, and aesthetic traditions of twentieth-century Bolivia. . . . Especially innovative because it addresses the distinctive work of essayists, painters, journalists, and political figures. . . . A major contribution."—Marcia Stephenson, Purdue University

“A combination of sociopolitical history and literary and artistic criticism, Sanjinés’ book is an erudite meditation on Bolivian nationhood. Focusing on the concept of mestizaje, he skillfully interprets essays, novels, paintings, and photographs to illustrate the evolving vision of the nation held by the country’s mestizo-criollo elite.”—Journal of Interdisciplinary History

Complete Description Reviews
Illuminations: Cultural Formations of the Americas Table of Contents
Latin America/Cultural Studies Read a selection from this book

Mestizaje—the process of cultural, ethnic, and racial mixing of Spanish and indigenous peoples—has been central to the creation of modern national identity in Bolivia and much of Latin America. Though it originally carried negative connotations, by the early twentieth century it had come to symbolize a national unity that transcended racial divides. Javier Sanjinés C. contends that mestizaje, rather than a merging of equals, represents a fundamentally Western perspective that excludes indigenous ways of viewing the world. In this sophisticated study he reveals how modernity in Bolivia has depended on a perception, forged during the colonial era, that local cultures need to be uplifted. Sanjinés traces the rise of mestizaje as a defining feature of Bolivian modernism through the political struggles and upheavals of the twentieth century. He then turns this concept upside-down by revealing how the dominant discussion of mestizaje has been resisted and transformed by indigenous thinkers and activists. Rather than focusing solely on political events, Sanjinés grounds his argument in an examination of fiction, political essays, journalism, and visual art, offering a unique and masterly overview of Bolivian culture, identity, and politics.


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