Browse | News & Events | Ordering | UPP Blog | For Authors | For Instructors | Prizes | Rights & Permissions | Hebrew Union College Press | About the Press | Support the Press | Contact Us
April 2000
104 pages  

6 x 9
9780822957201
Paper $12.95 Add to cart

View Cart
Check Out
Other Ways to order
The Horse Fair
Poems
Becker, Robin
Becker investigates how marginalized individuals negotiate public and private spheres, while inventing sustainable communities. She also explores anti-Semitism, cross-dressing, and painter Rosa Bonheur's lifelong relationships with women.
Robin Becker, Liberal Arts Research Professor of English and Women’s Studies at the Pennsylvania State University, is the author of seven poetry collections, including Domain of Perfect Affection, The Horse Fair, Giacometti’s Dog, and All-American Girl, winner of the Lambda Literary Award. In 2002 the Frick Art and Historical Center in Pittsburgh published Venetian Blue, a limited-edition chapbook of Becker’s art poems. She is the recipient of fellowships from the Bunting Institute, the Massachusetts Cultural Council, and the National Endowment for the Arts. In 2000 she received the George W. Atherton III Award for Excellence in Teaching from Penn State, and from 2010 to 2011 she served as the Penn State Laureate. For the Women’s Review of Books, Becker edits poetry and writes a column on poetry called “Field Notes.”
“Robin Becker’s The Horse Fair, her fifth collection, may be her best yet. From its opening, these poems demonstrate a spare elegance in the line, and many phrases are simply breathtaking in their imagery, compression, music, and emotive power.”--Arts & Culture

“It's hard to know where to begin praising this collection, it contains so many virtues: unremitting, intellectual brilliance and acute historical understanding, especially about being an outsider and a survivor. I go to Robin Becker's poetry as I might go to a great novelist like George Eliot or Carol Shields—to experience the news they bring back from the world and its interpretation by a major mind.”—Jonathan Holden

“I treasure these redemptive poems by Robin Becker, who writes with compassion and amazing vitality about the grief, afflictions, and foibles of trees, animals, and humans bound together on this dangerous planet. Her book is an exquisite manual on how to live.”—Shirley Kaufman

“Describing a woodpecker, Robin Becker writes, ‘Far-flung orbit of energy . . . a restless aptitude drives her hungers . . .’ She could just as well be describing her own far flung imagination, her own hungers made manifest in language. The Horse Fair is a beautifully crafted book, wise and forgiving.”—Linda Pastan

“These narratives pay loving attention to several personal and historical tragedies. They record life with a tenderness that is easily trusted, despite forces bearing down on their subjects which would have it that their souls be obscured. This is one soulful collection of poems.”—Jane Miller

“What I love in Robin Becker’s poems is how much the world is with her; characters, histories, animals, places, and things crowd onto these pages, inscribing them with the cries of the living. Becker is against silence; she instructs the world, instead, to ‘Harpsichord me. Entail me. Depose me’ in these shapely poems marked by her curious, tender, worldly presence.”—Mark Doty

"Through a wide variety of forms, Becker’s strong yet soulful voice is especially adept at studying people forced to coexist on the fringe." – Orlando Sentinel

“Becker seems to have found a kind of bittersweet peace for herself. . . . This generous poet is never less than attentive and responsive to the world that surrounds her.” — Carmela Ciuraru, The New York Times Book Review

“There should be more books of poetry that make use of the dramatic monologue as skillfully as Robin Becker does in the two longer poems that drive her collection.”—American Book Review

“Throughout The Horse Fair, Becker’s painstaking, empathic use of language celebrates a patient yet intrepid dedication to art as well as the indomitable spirit of life---human or otherwise---in the face of oppression and death. . . . The Horse Fair contains Robin Becker’s strongest poetry to date.”—West Branch

“True poets know that history, biography, and indeed, fine storytelling, may all serve as the poet’s province. Becker combines these in her compact and well-composed lyrics. . . . As a person and a poet, Becker has come of age.”---Patricia Roth Schwartz, Lambda Book Report, September 2000

“She manages to make the intimate familiar, so that these fragments of her feelings reflect our own.”---Sheela Ardrian, The Lesbian Review of Books, 7.1 (Fall 2000)

Complete Description Reviews
Pitt Poetry Series Table of Contents
Poetry Read a selection from this book
close 

In The Horse Fair, Robin Becker asks questions about citizenship and participation in the marketplaces—of bodies, of ideas, of objects—in which we function. She investigates how individuals marginalized by gender, religion, and sexual preference negotiate public and private spheres while inventing sustainable communities. Beginning with the great nineteenth-century French painter Rosa Bonheur, Becker has produced a number of multi-voiced, synthetic portraits, each within a framework of social history and a poetics of partiality—she speaks from the persona of Charlotte Salomon, child of assimilate, German-Jewish parents and grandparents and killed by the Nazis at the age of twenty-six; she appropriates passages from the Rosh Hashanah and Yom Kippur services; and juxtaposes them against stanzas that mourn her sister’s death and those that celebrate non-traditional families. Organized around the long meditations, other poems show Becker's dexterity with formal verse (sestina, sonnet, tercets) and her imaginative engagements with free verse. The Horse Fair takes its name from Bonheur's monumental painting and serves as the vehicle through which Becker explores anti-Semitism, cross-dressing, and Bonheur's lifelong relationships with women. In Becker's hands, The Horse Fair transports us to the communal plaza where we come to barter and to buy, to study one another, to touch the foundation upon which we build our temporary habitations.
close 
close 


close 

© 2017 University of Pittsburgh Press. All rights reserved.